Resident Evil Reboot Eyes Major Box-Office Opening
The Resident Evil reboot is heading into theaters with strong box-office expectations, giving Sony Pictures a potentially significant start to the fall movie season. Directed and co-written by Zach Cregger, the new horror film is targeting an opening weekend that could establish a new domestic record for the long-running video game franchise.

The movie arrives in approximately 3,500 North American theaters on September 18. Sony is projecting a three-day opening of about $40 million, while outside tracking has recently pushed expectations higher, with some forecasts placing the film between $40 million and $50 million or more domestically.
That would represent a major change for a franchise whose previous theatrical installments generally opened below that level.
Resident Evil Reboot Targets Franchise Record
The Resident Evil reboot has an opportunity to become the biggest domestic opener in the history of the live-action movie series.
That record currently belongs to 2010’s Resident Evil: Afterlife, which opened to approximately $26.6 million in North America. Even the lower end of current projections for Cregger’s film would comfortably exceed that figure.
Earlier entries in the franchise also generated substantial international business, but their domestic openings were comparatively modest. The original 2002 Resident Evil opened to about $17.7 million domestically before eventually passing $100 million worldwide.
The new film therefore enters theaters with a different level of commercial attention.
Zach Cregger Brings a New Vision
A major reason for the heightened interest is Cregger himself.
The filmmaker previously directed Barbarian and Weapons, establishing a reputation within the horror genre before taking on the major Resident Evil property. His most recent film, Weapons, opened to approximately $43.5 million domestically, according to box-office tracking data.
Cregger’s approach to Resident Evil also represents a significant departure from the previous movie series. Rather than simply continuing the Milla Jovovich-led films, the new project is being positioned as a fresh interpretation of the video game property.
That distinction could help the movie reach viewers who are familiar with the game franchise but were less connected to the earlier adaptations.
Austin Abrams Leads the New Horror Film
Austin Abrams stars in the new Resident Evil, taking on the central role in Cregger’s adaptation.
The cast also includes several recognizable performers, while the filmmaker has emphasized a blend of horror, action and dark humor. The movie marks Cregger’s first major studio franchise project after making his name with original horror material.
Early critical reaction has provided another boost ahead of the theatrical release.
The Hollywood Reporter reported that the film had received a 96 percent approval rating from critics on Rotten Tomatoes at the time of its box-office preview. The publication’s own review praised the movie’s combination of frightening sequences and humor.
Other early reactions have similarly highlighted the film’s scale and gore, with some critics describing it as an unusually ambitious video game adaptation.
Global Box Office Could Reach $80 Million
The Resident Evil reboot is also expected to benefit from the franchise’s international popularity.
Current projections indicate that the film could collect roughly $31 million from overseas markets during its opening weekend. Combined with a possible $40 million to $50 million domestic debut, that would put the worldwide opening around $80 million.
That figure would give Sony a strong start for a production reportedly carrying a budget in the neighborhood of $75 million before marketing expenses.
However, opening weekend numbers are only the beginning of the movie’s theatrical run. The film will need to maintain audience interest over subsequent weekends if it is to become a major global success.
Franchise History Raises the Stakes
The Resident Evil name remains one of the most recognizable video game brands in Hollywood.
The previous live-action films, beginning with the 2002 original, generated more than $1.2 billion worldwide as a group. Milla Jovovich headlined six installments before the franchise received another reboot with 2021’s Resident Evil: Welcome to Raccoon City.
That 2021 reboot performed far below the earlier films, earning roughly $42 million worldwide. The new movie consequently arrives with an opportunity to reset the franchise once again.
Cregger’s film is also entering theaters at a time when horror continues to demonstrate its ability to attract audiences with relatively controlled production costs.
A New Test for Video Game Movies
The performance of the Resident Evil reboot could also add to the broader conversation surrounding video game adaptations.
Hollywood has spent years attempting to turn popular games into successful theatrical franchises. While some projects have struggled, recent releases have demonstrated that audiences can respond strongly when filmmakers establish a clear identity rather than simply reproducing familiar game elements.
Cregger appears to be taking that approach with Resident Evil, creating a version designed to function both as a horror movie and as a new chapter for an established brand.
For Sony, the immediate question is whether strong reviews and franchise recognition can translate into ticket sales.
With the movie now arriving nationwide, the first weekend will provide the clearest indication of how audiences respond to this latest trip into the Resident Evil universe. Current projections point toward a potentially record-setting domestic debut, but the final box-office numbers will depend on actual audience turnout through the weekend.
